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In the 19th century, scientific discoveries and new social constructs caused a surge of existential confusion. It led to doubts and questions about the power of an individual in relation to society and God. These questions echo in Alexandre Dumas’ The Count of Monte Cristo and in Carroll’s Alice’s Adventures in Wonderland in their similar battle for individual control and meaning over society and God. Edmond Dantes claims to be acting in the stead of Providence throughout much of his journey in The Count of Monte Cristo, but his tirade of vengeance and refusal to connect with society result in the gradual displacement of God, and the substitution of himself in the role of justice. Similarly, the Queen of Hearts displaces Alice, the dreamer of Wonderland, as an authority figure and also distances herself to rule over society. Ultimately, the restoration of the rightful ruling power in both texts presents the futility of man in creating their own existential meaning independent of an established outside center.
